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11

Upon first viewing Peter Gelker’s

Whirligigs

, it becomes apparent that the pieces

constitute a departure from the traditional. Although delightfully colorful, Gelker’s

Whirligigs

do not embody the subject matter of the folk tradition. With more than

forty years of experience in human psychology, Gelker favors, in his own words,

the “darker, deeper, less-flattering side of human nature.” The themes explored

in Gelker’s

Whirligigs

include topics such as political structures, religious beliefs,

mental illness, phobias, social relations, and mythology. Yet, Gelker’s final products

do not present a completely bleak view of humanity:

Whirligigs: The Art of Peter

Gelker

simply offers its viewers a peak into the complexity of the human condition.

A few selected pieces from

Whirligigs: The Art of Peter Gelker

serve as a great

introduction to the many themes explored in the exhibition. In

Angel and Devil

,

the Biblical battle over the soul is given a tangible illustration. When put into

motion, a devil thrusts his pitchfork at an angel who, like the Archangel Michael,

counters with a sword.

Psychiatrist/Patient/Monster

reflects on the dynamics of

a therapy session: a lounging patient pulls a cord which releases a man-eating

monster onto his psychiatrist. Moreover, in

Worker and Capitalist

, a well-dressed

businessman and a humble worker participate in a never-ending tug-of-war over

a tearing dollar bill.

The exhibition

Whirligigs: The Art of Peter Gelker

is an animated reminder of the

many ways art can illuminate the spirit. Gelker presents common thoughts and

fears in a playful manner. The repetition of movement calms our anxieties and

amuses the viewer in a way that does not ignore serious issues. Visitors of Gelker’s

Whirligigs

are invited to spiritedly explore the polarization and inner-workings

of our minds and societies.

Images left to right:

Angel and Devil,

2000, Peter Gelker, wood, metal, paint, mixed media, collection of the artist;

Psychiatrist/Patient/Monster,

2004, Peter Gelker, wood, metal, paint, mixed media, collection of the artist.