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Images top to bottom: Wenzel Jamnitzer, Collector’s Chest, ca. 1570, German (Nuremberg), silver gilt, ebony, lapis lazuli, feldspar, bloodstone, amethyst, quartz, and cold enamel, Loyola University Museum of Art,

Martin D’Arcy, S. J.Collection, gift of the Abbie Norman Prince Trust, the Frederick Henry Prince Trust, and the Friends of the Martin D’Arcy Gallery, 1978-09; Gregory Beals,

Sisters

, Za’atari Camp, Jordan, October

2013; Della Wells,

We are Not America’s Wallflower and We March Proudly to the Dance

, 2017, Collage, Image courtesy of Portrait Society Gallery; Tonika Johnson,

Her Name is Yoshi

, 2015.

Current Exhibitions

Gregory Beals: They Arrived Last Night

February 6, 2018–June 2, 2018

Artist, journalist, and humanitarian, Gregory Beals has focused on documenting the global

refugee crisis over the course of the last eight years.

They Arrived Last Night

is a collection of

photographs that sheds light on the refugee experience, capturing both the relief of escaping

an untenable situation and the fear of an uncertain future. Beals’ images poignantly convey the

multitude of experiences and emotions that come from living in a liminal state. Some portraits

capture mourning and fear, while others illustrate unexpected stories of hope, resilience, and

joy. Beals has worked with the United Nations Refugee Agency (UNHCR), the UN Office for

the Coordination of Humanitarian Affairs, and was a correspondent for

Newsweek Magazine

.

Her Story, My Dreams: The Images of DellaWells

February 6, 2018–June 2, 2018

Self-taught Milwaukee artist Della Wells is a visual storyteller. Fascinated by myths and fairy

tales with hidden meanings, Wells creates layered images from found objects.

Her Story, My

Dreams

showcases a selection of Wells’ colorful assemblages, drawings, and hand-made dolls

inspired by personal narratives, political struggles, and imaginary tales. Combining her interest

in African American history, gender studies, and theology, Wells employs potent symbolism to

give voice to contemporary issues of race and gender.

Tonika Lewis Johnson: Everyday Englewood

February 6, 2018–June 2, 2018

In selected work from her two previous Englewood-based photo projects, Tonika Lewis

Johnson tenderly challenges the sensationalized, damage-centered narrative of the Chicago

South Side neighborhood in which she was raised. Her images celebrate the resilience of urban

Black culture in Englewood by portraying levity, triumph, joy and normalcy in the lives of

regular people; the people we pass on the street, sit next to on the bus, and see in the

grocery store.

Gilded Glory: European Treasures from the Martin D’Arcy, S.J.

Collection

Permanently on view

On view year-round, LUMA’s permanent D’Arcy galleries showcase one of the finest

collections of medieval, Renaissance, and Baroque art in the Midwest. Explore over five

centuries of sacred and secular European life through painting, sculpture, furniture, ivory,

and metalwork.